Open calls
What Is an Artist Open Call?
Understand what an artist open call is, how it differs from a residency or commission, and what the invitation actually offers.
You see the phrase everywhere.
Open call for artists.
Open call for a residency.
Open call for an exhibition.
Open call for a commission.
Open call for funding.
They can all look very different.
That is because an open call is not one specific type of artist opportunity.
It describes the way an opportunity is opened for applications.
An organisation publishes an invitation, defines who may apply and what must be submitted, and then selects one or more applicants through a stated process.
What the selected artist actually receives can be completely different from one call to another.
So the useful question is not only:
Is this an open call?
It is:
What opportunity is this open call actually offering?
1. An open call is a published invitation to apply
At its simplest, an artist open call is a published invitation asking eligible artists to put themselves forward for a defined opportunity.
Artquest describes artist opportunities, also known as open calls, as project-based opportunities that artists can apply for. ↗
These opportunities commonly include eligibility criteria relating to factors such as career stage, artistic medium or theme.
The important idea is that artists outside an organisation's existing network can be invited to respond to a published brief and compete through an application process.
That does not tell you yet what the opportunity itself is.
You still need to read the offer.
2. “Open” does not mean open to every artist
The word open can be misleading.
An open call can still have strict eligibility requirements.
A residency may be limited by:
- nationality;
- residence;
- career stage;
- discipline;
- professional experience;
- student status;
- language;
- location;
- theme.
Singapore Art Museum's Cycle 4 residency open call, for example, invited international applications but used different residency strands for particular kinds of practitioners and practices. ↗ ↗
The National Taiwan Museum of Fine Arts' 2026 International Residency Program includes conditions relating to nationality, student status and professional experience. ↗
So:
open call
does not mean:
every artist is eligible.
It means the opportunity has been publicly opened to a defined applicant pool.
3. An open call is not the same thing as a residency
A residency is a type of opportunity.
An open call is one way of recruiting applicants for it.
The V&A states that it accepts residency applicants in response to open calls. ↗
Its 2026 residency process moves applicants through an expression of interest, a proposal stage and interviews.
The Rijksmuseum similarly used an open call for its Artist in Residence programme and received 265 submissions before selecting an artist. ↗
1646 describes its own residency programme as selecting a participant through an annual open call. ↗ ↗
So these two phrases answer different questions:
Residency
What kind of opportunity is being offered?
Open call
How are applicants being invited to compete for it?
That distinction is useful throughout the artist-opportunity landscape.
4. An open call can lead to many different kinds of opportunity
Artquest identifies several forms of artist opportunity that may be offered through open calls, including: ↗
- exhibitions;
- residencies;
- funding, awards or prizes;
- screenings;
- commissions;
- fellowships;
- professional development.
The phrase open call therefore tells you less than the actual offer.
Always identify the opportunity behind it.
5. A commission can be offered through an open call
A commission is a good example of why the distinction matters.
A public-art organisation or municipality may publish a Call to Artists inviting artists to compete for a commission.
The City of Pickering currently uses a Call to Artists for a permanent public-art commission and selects the successful artist or artist team through a two-stage process. ↗
Museum Boijmans Van Beuningen has also used an annual open call to select artists or collectives for an art commission connected to its Zuid programme. ↗
The opportunity type is:
commission.
The recruitment mechanism is:
open call.
Those are related, but they are not interchangeable.
6. Funding can also be distributed through an open call
The same distinction applies to funding.
An organisation can operate a general grant scheme, an open application programme, an invitation-only programme or a specific open call connected to funding.
Creative Industries Fund NL, for example, publishes open calls within its Open Call Grant Scheme. ↗
Its 2026 Saga Residency open call sets out a defined residency, eligibility conditions, assessment criteria and a subsidy within that framework.
So when you see:
Open Call
do not assume that the benefit is only participation, exposure or an exhibition.
Read the financial structure.
The selected applicant may receive a grant, artist fee, production budget, residency support or another form of financial support.
7. The application can ask for existing work or a future proposal
Not every open call asks you to submit the same kind of evidence.
An exhibition call might ask for existing artworks.
A residency might ask about your practice and what you want to research.
A commission may initially ask for qualifications or previous work, then request a proposal only from shortlisted artists.
A funding programme may require a project plan and budget.
The Rijksmuseum Artist in Residence open call asked artists to submit proposals for an artwork or intervention connected to the museum's collection, history or another subject relating to the museum. ↗
Singapore Art Museum's Artist Residency, by contrast, invites artists and collectives pursuing new artistic research, experimentation and modes of making within the themes of the residency cycle. ↗ ↗
So do not treat open call as a submission format.
The required format comes from the opportunity itself.
8. “Call for artists”, “call for entries” and “open call” can overlap
Arts organisations do not use opportunity terminology consistently.
You may encounter terms such as:
open call
call for artists
call for entries
call for submissions
call for proposals.
The wording can offer clues about what is being requested.
A call for entries often centres on works being submitted for consideration.
A call for proposals may emphasise an idea or future project.
A call for artists can be used for commissions and other professional opportunities.
But these are not universal legal categories.
The City of Pickering, for example, calls its public-art commission a Call to Artists, while the Rijksmuseum described recruitment for its Artist in Residence programme as an open call. ↗ ↗
Read the actual terms instead of assuming that the title defines the opportunity.
9. An open call is usually competitive
Publishing an open call allows multiple eligible applicants to put themselves forward.
That normally means some form of selection follows.
Artquest describes artists responding to an open brief as applying in competition with each other, with only one or a small number generally being selected. ↗
The exact process can vary substantially.
The V&A's 2026 residency process includes four stages, beginning with an expression of interest and later moving through proposals and interviews. ↗
The 1646 ReCNTR residency call for 2026 initially stated that a maximum of 15 candidates would move from the first round into the second round. In its later selection announcement, 1646 reported that the actual shortlist contained 16 candidates, followed by interviews with the final four before the resident was selected. ↗ ↗
Other open calls may use a single jury round.
So:
open application
does not mean:
automatic participation.
10. The call should tell you what is being exchanged
Before deciding whether to apply, identify both sides of the opportunity.
What does the artist provide?
Possibly:
- existing work;
- a project proposal;
- time;
- research;
- public activity;
- an exhibition;
- a commissioned work;
- permissions or image rights;
- travel;
- materials;
- an application fee.
What does the organiser provide?
Possibly:
- an artist fee;
- a grant;
- a stipend;
- a production budget;
- studio space;
- accommodation;
- travel support;
- mentoring;
- exhibition space;
- institutional support;
- access to collections or facilities;
- professional visibility.
Singapore Art Museum's Cycle 4 residency call, for example, specifies shared studio or co-working space, institutional support and expertise, a monthly stipend and different forms of practical support depending on whether the resident is Singapore-based or international. ↗ ↗
The Finnish Cultural Foundation's residency programme combines residency places with working grants and travel grants, with accommodation included for its long-term residencies and the possibility of applying for additional expenditure support. ↗
The words open call by themselves tell you none of this.
11. An open call is not automatically a good opportunity
A public application process tells you how artists can enter the selection process.
It does not tell you whether the opportunity is financially or professionally worthwhile.
An open call may:
- pay well;
- pay little;
- charge an application fee;
- require an artist contribution;
- cover travel;
- leave travel to the artist;
- provide production resources;
- offer limited financial support;
- ask for extensive rights;
- require significant unpaid preparation.
That is why these questions need to be kept separate.
First ask:
What is the opportunity?
Then:
Who is eligible?
What does applying require?
What does the selected artist receive?
What does participation cost?
An open call is the entry mechanism.
12. Free to apply and fully funded describe different things
Free to apply tells you about the cost of entering the selection process.
Fully funded describes the support attached to participation, although the exact meaning of fully funded still depends on the programme.
These are separate financial questions.
A call can be free to enter while leaving substantial participation costs to the selected artist.
The absence of an application fee therefore does not tell you whether the underlying opportunity is financially strong.
Likewise, information about participation funding does not automatically tell you whether applying is free.
Keep the application cost and the participation offer separate.
13. A recurring open call can change between cycles
Some programmes return every year or every few years.
That can make an earlier call useful as historical context.
It does not make the old rules current.
1646 describes participant selection for its own residency programme as an annual open call. ↗ ↗
But between cycles, organisations may change:
- eligibility;
- dates;
- funding;
- application materials;
- themes;
- jury composition;
- duration;
- available places.
An earlier open call can tell you how a programme has worked historically.
It cannot confirm the rules of the next round.
14. The organiser matters as much as the label
Two opportunities can both be called an open call and have almost nothing else in common.
One may come from:
- a museum;
- a residency centre;
- a municipality;
- a foundation;
- an artist-run organisation;
- a university;
- a gallery;
- a festival;
- or a public funding body.
Those organisations can have very different purposes and relationships with artists.
Compare, for example, the Rijksmuseum's Artist in Residence open call with a municipal Call to Artists for permanent public art. ↗
Both use public artist selection, but the work, support, obligations and outcome are fundamentally different.
So ask:
who is organising this?
before treating two open calls as comparable.
15. The deadline is only one part of the call
Open-call listings often foreground the deadline.
That makes sense because missing it usually ends the application.
But the deadline tells you almost nothing about whether the opportunity fits you.
Before applying, you still need to understand:
- eligibility;
- opportunity type;
- application requirements;
- selection criteria;
- financial terms;
- participation obligations;
- timing;
- rights and conditions.
That is why an open-call listing and an opportunity-intelligence system are not the same thing.
A listing can tell you that a call exists.
Understanding the call requires the information behind it.
Before you apply, identify what the open call actually is
Ask:
Opportunity type
Is this a residency, exhibition, grant, fellowship, commission, prize, professional-development programme or something else?
Organiser
Who is offering it?
Purpose
Why does the programme exist?
Eligibility
Who may actually apply?
Application
What do I need to submit?
Selection
How will applicants be assessed?
Offer
What does the selected artist receive?
Costs
What must I pay or fund myself?
Obligations
What will I be expected to do if selected?
Timeline
When does selection happen and when does the opportunity take place?
Terms
Are there rights, contractual or other conditions I need to understand?
Only after answering those questions do you know what the phrase open call represents in that particular case.
An open call is the doorway, not the room
The phrase open call tells you that an organisation is publicly inviting applications.
It does not tell you what lies behind that invitation.
Behind one open call may be a three-month residency.
Behind another may be an exhibition.
Another may lead to a grant.
Another to a permanent public-art commission.
Another to professional development.
So for Artist Opportunity Assistant, an open call is not treated as the complete description of an opportunity.
It is one field within a larger structure.
The useful question is:
What exactly becomes possible if I am selected?
That is where understanding the opportunity begins.
Editorial note
Terminology around open calls is not completely standardised across arts organisations, countries and opportunity types.
The examples in this guide show different ways institutions use public calls for artists.
Always use the actual eligibility, application, financial and participation terms published for the specific opportunity you are considering.
Sources & references
- Artist opportunities, a.k.a. the open call — Artquest Open source
Authoritative sector guidance for the general open-call definition and typology.
- Guidance notes for residency applicants — Victoria and Albert Museum Open source
First-party institutional material for the named programme or cycle.
- First Rijksmuseum Artist in Residence announced — Rijksmuseum Open source
First-party institutional material for the named programme or cycle.
- 1646 ReCNTR Residency 2026 call — 1646 Open source
First-party institutional material for the named programme or cycle.
- Natalia Śliwowska Artist in Residence — 1646 Open source
First-party institutional material for the named programme or cycle.
- SAM Residencies Open Call Cycle 4 — Singapore Art Museum Open source
First-party institutional material for the named programme or cycle.
- About SAM Residencies — Singapore Art Museum Open source
First-party institutional material for the named programme or cycle.
- NTMoFA International Residency Program 2026 Open Call — National Taiwan Museum of Fine Arts Open source
First-party institutional material for the named programme or cycle.
- Open Call Saga Residency 2026 — Creative Industries Fund NL Open source
First-party institutional material for the named programme or cycle.
- Call to Artists: Dave Ryan Park — City of Pickering Open source
First-party institutional material for the named programme or cycle.
- Open Call Zuid 2024 — Museum Boijmans Van Beuningen Open source
First-party institutional material for the named programme or cycle.
- Grants for Artists' Residencies — Finnish Cultural Foundation Open source
First-party institutional material for the named programme or cycle.